It’s that time of the year where everyone comes together on the Internet to argue about what everyone liked over the year and why they’re wrong. So it’s time for my contribution…
Here is a Spotify playlist I’ve made of some of my favourite stuff this year:
This playlist is actually incomplete: for the sake of track-to-track flow it’s missing anything from Floating Points’ Elaenia, Laura Marling’s Short Movie, Errors’ Lease of Life, Hot Chip’s Why Make Sense? and Purity Ring’s Another Eternity, all of which are very much worth your time. Purity Ring provided the best live show I’ve seen this year (at Metropolis in Montréal).
Best comeback of the year is of course New Order (but then I’m biased), and best collaboration of the year is F.F.S. (managing to be better than both the last Franz Ferdinand and Sparks records – there has to be a future for it.)
Addendum 22.12.2015: Forgot to mention or include in the playlist The Race for Space by Public Service Broadcasting, which is a pretty big omission; or No Cities to Love by Sleater-Kinney.
Best biopic so far this year is the exceptional Love & Mercy. Only just behind that is Straight Outta Compton, which did well to try to get a consistent narrative line into the complicated and multifaceted N.W.A. story with nicely kinetic direction from F. Gary Gray and the year’s best producer credit (Ice Cube p.g.a., because of course he’s in the union.)
It’s actually been quite a good year for spy and spy related stuff. Kingsman is by turns nasty, compelling, outrageous and very, very funny (even if Vaughan and Goldman didn’t quite manage to downplay the bad bits of Millar’s writing as much as they did with Kick-Ass.) The Man from U.N.C.L.E. is massively uneven but its 60s atmosphere is spot on and when it sparks, it really works (the scene where Napoleon Solo finds safety while a massive action scene goes on in the background is utterly unique).
Mission: Impossible – Rogue Nation is the most consistent narratively since the first one and is brilliantly directed and constructed, even if there’s not a single overall sequence as good as the Dubai sequence in Ghost Protocol. Spectre is the third best Daniel Craig Bond film, but I’d still be happy if Mendes came back on the condition that he brings back Roger Deakins and Stuart Baird and finds some better writers.
Out of the two Marvel films this year, Ant-Man is better (completely in inverse to my expectations): off the wall and willing to try new things, it is also the rare Marvel film that gets better and better as it goes on, although it’s a shame we didn’t get to see Edgar Wright’s version. It’s effectively a low-stakes version of Iron Man and all the better for it. Age of Ultron drags a bit and feels overly breezy and fluffy, although it’s still pretty and Elizabeth Olsen is great in it.
Since I haven’t seen Star Wars yet I can’t quite classify that. The Revenant should be interesting too: the trailers give an utterly unique feel.
Addendum 22.12.2015: The Force Awakens is very much worth watching. I missed The Martian, which was a lot of fun and Ridley Scott’s best film in years. And of course, how could I forget Fury Road, by far the best sequel of the year? (That piece is unblocked and I’m working on it again, by the way.)
I haven’t played that much this year – I have time constraints, I don’t play MMOs and I hate military FPS with the force of a thousand suns, so the only big budget games I’ve played through this year are the hilarious Saints Row IV (finally giving up any pretence of being a serious game and going for all out comedy) and the PC version of Arkham Knight. Because I have a 4790K, 16GB of RAM and a GTX970 I was just about able to run it acceptably, which continues to show that if the PC is not dead as a gaming platform, it’s at least in the resus room.
For the record, it played OK after the first patch and some of what it does is brilliant (and unfortunately its best element is a spoiler), but it is the least of Rocksteady’s Batman games. Still better than Arkham Origins and most other games though, and it still handles its No Man’s Land inspiration better than Dark Knight Rises. So I would recommend giving it a go if you have a machine that it it will work on, or one of the current-gen consoles.
I do not own any of the current consoles, so Rise of the Tomb Raider will be 2016 for me. Let’s hope Crystal don’t screw that port up.